Welcome to Kinema Club

Welcome to the website of Kinema Club, a long-standing, international but informal group devoted to the study of Japanese moving image media. Kinema Club was started precisely to share knowledge about Japanese cinema, so this site serves both to introduce our activities, such as the KineJapan mailing list and our conferences and workshops, as well promote information and thinking about films, research, bibliography, and education.


Hana-Bi (Fireworks)*

Kitano’s Inner Lives Bloom in ‘Hana-Bi’

After winning the coveted Golden Lion at last year’s Venice Film Festival for his new film Hana-Bi, Kitano Takeshi boasted of his exploit to the sports papers in typical Beat Takeshi fashion: “I am the master!”

The statement was certainly the kind... Read more

Cure*

A ‘Cure’ for Repression

Mamiya (Hagiwara Masato), the serial killer in Kurosawa Kiyoshi’s brilliantly chilling Cure, keeps asking the same simple question of everyone he meets: “Who are you?”

They give him their usual answers–school... Read more

An Obsession

A Stolen Gun Links Murder and Love

In only the year and a half since exploding on to the feature film scene with his shocking portrait of alienated youth, Helpless (1996), the prolific Aoyama Shinji has already turned out three more movies,... Read more

To Love

Spiritual Aims and Worldly Choices

Launched to commemorate Nikkatsu’s return to production after surviving bankruptcy proceedings, To Love recalls elements of the rich tradition of Japan’s longest running film company (since 1912, to be exact).

Not only do we enjoy seeing the faces of such... Read more

Postman Blues*

‘Postman’ Rings with High Action

“Does your heart ever thump with excitement like it did when you were a kid?” The yakuza Noguchi (Horibe Keisuke) poses this question to his childhood friend Sawaki (Tsutsumi Shin’ichi) at the beginning of Postman Blues, but it could equally be directed at the audience... Read more

2 Duo*

The Bitter Reality of Japanese Youth

Why can’t we call a fiction film a documentary? Both genres use the same film stock, chemically recording real people engaging in real actions before the camera. What difference does it make that it’s “only acting” in fiction? Don’t we all act to some degree in our everyday lives?

These questions seemed to confront... Read more

The Princess Mononoke*

A Spirited Battle for Nature

It is testimony to the importance of animation in the Japanese film world that the most successful filmmaker in any genre in the last thirteen years - both financially and critically - has without a doubt been Miyazaki Hayao. His epic tales of chivalry and the powers of nature, speaking to... Read more

Tokyo yakyoku

Orchestral Score of Tokyo Life

The city symphony was one of the hallmarks of classical film, as directors such as Walter Ruttmann, Dziga Vertov and Rene Clair tried to weild all the tools the new... Read more

Suzaku*

Betting On a Long Shot

Kawase Naomi’s rise to stardom has been nothing less than astronomical. Just a year ago, she was known only to experimental film aficionados as a talented 8mm filmmaker who won of a couple of prizes at the Image Forum Festival and the Yamagata International Documentary Film Festival (where I helped... Read more

The Eel

“The Eel” - A Slippery Slide into Sentimentality

When Japan was experiencing its period of high economic growth in the 1960s and 1970s - developing into a modern, consumer society of comfort and technology - Imamura Shohei was there to remind Japanese that they were still human, a state for him not far removed from the... Read more

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