Welcome to Kinema Club

Welcome to the website of Kinema Club, a long-standing, international but informal group devoted to the study of Japanese moving image media. Kinema Club was started precisely to share knowledge about Japanese cinema, so this site serves both to introduce our activities, such as the KineJapan mailing list and our conferences and workshops, as well promote information and thinking about films, research, bibliography, and education.

One More Time, One More Chance

Woman in White Medicine for Troubled Soul

She appears out of nowhere, a white dress standing out in a dim, moonlit field. “Today’s high school girls are pretty strange,” remarks Rihito (Tsurumi Shingo), a character in Shinohara Tetsuo’s first feature film, One More Time, One More Chance. “But she isn... Read more

Black Jack

‘Black Jack’ Lacks Color

The year 1973 was difficult for Tezuka Osamu, the father of modern Japanese manga. Mushi Productions, the company he founded to pursue animation, his second love, and bring to life such hits as Astro Boy and Kimba the White Lion, went bankrupt that year.

The comic... Read more

Ready For Some Action (Nikkatsu and Aisuru)

The words “Nikkatsu is back” may not only result in a nostaligia trip for many an old film buff. Now that the company has reorganized after nearly going bankrupt in 1993, an event which symbolized the decline of the Japanese film industry, maybe there is also new hope on the horizon for this nation’s film production.

When Nikkatsu filed for corporate reorganization in July 1993... Read more

DANGAN Runner*

Running for Their Lives

World cinema has rarely seen such a trio of losers as on display in DANGAN Runner. The wimpy Yasuda (Tetsuo’s Tomoro Taguchi) tries to prove his manhood by holding up a bank after his girlfriend jilts him, only to... Read more

Atlanta Boogie

‘Boogie’ Beyond Control

Popularized at the turn of the 19th century as a means of training young bodies for the service of the state, the undokai or athletic meet has become a symbol of Japanese schools, companies and local communities–a delightful way to compete and work up a sweat while simultaneously strengthening the body politic.

The affluent residents of... Read more


Television Out of Focus

Recent cases of TV trickery are disturbingly numerous. TBS showed an interview with lawyer Sakamoto Tsutsumi to the deadly Aum Supreme Truth, purportedly to get good footage of the Aum Kamikuishiki compound. Even the elite NHK faked footage in a documentary on the Himalayas to heighten its impact.

One wonders if televisual culture does not habitually... Read more

Asian Class Gets Eclectic (TIFF '96 The Best of Asian Films)

It is testimony to the rise of Asian cinema on the world scene that sections like The Best of Asian Films at the 1996 Tokyo International Film Festival no longer need to play the role of exclusively spotlighting the neglected cinemas of the East.

With this year’s International Competition and the Young Cinema Competition already featuring a number of powerful works from China,... Read more

A Class to Remember II

Here’s a ‘Class’ That Deserves to Be Skipped

Tora-san is dead and with him, one would think, an era. But don’t pay your last respects just yet.

Even if the popular “Otoko wa tsurai yo” series will end with the unfortunate death of Tora’s talented performer, Atsumi Kiyoshi, the world embodied in... Read more

And the Beat Goes On (TIFF '96 Kitano Takeshi Symposium)

Kitano Takeshi must be scared.

Forced to sit on stage for three hours in a sweltering movie theater packed to the gills with young admirers, the man better known as Beat Takeshi was subjected last Friday night to endless praise and admiration by film critics, a university professor, and even a Cannes-winning film director... Read more


It’s ‘Billiken’ to the Rescue

Put a coin in the donation box, rub the soles of his feet, and make a wish. Billiken the god of fortune will make us all happy.

Billiken who? The eponymous star of Sakamoto Junji’s comedy, Billiken... Read more


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