Welcome to Kinema Club
Welcome to the website of Kinema Club, a long-standing, international but informal group devoted to the study of Japanese moving image media. Kinema Club was started precisely to share knowledge about Japanese cinema, so this site serves both to introduce our activities, such as the KineJapan mailing list and our conferences and workshops, as well promote information and thinking about films, research, bibliography, and education.
‘Black Jack’ Lacks Color
The year 1973 was difficult for Tezuka Osamu, the father of modern Japanese manga. Mushi Productions, the company he founded to pursue animation, his second love, and bring to life such hits as Astro Boy and Kimba the White Lion, went bankrupt that year.
The comic...Read more
The words “Nikkatsu is back” may not only result in a nostaligia trip for many an old film buff. Now that the company has reorganized after nearly going bankrupt in 1993, an event which symbolized the decline of the Japanese film industry, maybe there is also new hope on the horizon for this nation’s film production.
When Nikkatsu filed for corporate reorganization in July 1993...Read more
Running for Their Lives
World cinema has rarely seen such a trio of losers as on display in DANGAN Runner. The wimpy Yasuda (Tetsuo’s Tomoro Taguchi) tries to prove his manhood by holding up a bank after his girlfriend jilts him, only to...Read more
‘Boogie’ Beyond Control
Popularized at the turn of the 19th century as a means of training young bodies for the service of the state, the undokai or athletic meet has become a symbol of Japanese schools, companies and local communities–a delightful way to compete and work up a sweat while simultaneously strengthening the body politic.
The affluent residents of...Read more
Television Out of Focus
Recent cases of TV trickery are disturbingly numerous. TBS showed an interview with lawyer Sakamoto Tsutsumi to the deadly Aum Supreme Truth, purportedly to get good footage of the Aum Kamikuishiki compound. Even the elite NHK faked footage in a documentary on the Himalayas to heighten its impact.
One wonders if televisual culture does not habitually...Read more
It is testimony to the rise of Asian cinema on the world scene that sections like The Best of Asian Films at the 1996 Tokyo International Film Festival no longer need to play the role of exclusively spotlighting the neglected cinemas of the East.
With this year’s International Competition and the Young Cinema Competition already featuring a number of powerful works from China,...Read more
Here’s a ‘Class’ That Deserves to Be Skipped
Tora-san is dead and with him, one would think, an era. But don’t pay your last respects just yet.
Even if the popular “Otoko wa tsurai yo” series will end with the unfortunate death of Tora’s talented performer, Atsumi Kiyoshi, the world embodied in...Read more
Kitano Takeshi must be scared.
Forced to sit on stage for three hours in a sweltering movie theater packed to the gills with young admirers, the man better known as Beat Takeshi was subjected last Friday night to endless praise and admiration by film critics, a university professor, and even a Cannes-winning film director...Read more
It’s ‘Billiken’ to the Rescue
Put a coin in the donation box, rub the soles of his feet, and make a wish. Billiken the god of fortune will make us all happy.Read more
Stop any Japanese youth on the street and ask him when was the last time he saw a Japanese movie, and he’ll probably utter, “I dunno.” To many of Japan’s youth, Japanese film is dasai, woefully uncool for a generation that only seems to flock to the latest Hollywood blockbuster or arty European flick.
Having seen few Japanese movies, however, they are sadly ignorant...Read more